Circus Riot
Some days you wake up and immediately start to worry. Nothing in particular is wrong, it's just the suspicion that forces are aligning quietly and there will be trouble.
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We suit up.
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Taking place in England the owners of the yard slowly kept adding sections to the contraption so when the squirrel learned...
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American photographer Mitch Dobrowner has scooped the top prize at this year’s Sony World Photography Awards, picking up the...
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Tag Results
49 posts tagged Black and White
Age of Adolescence, Joseph Sterling
Caballos Blancos (1996) by Keith Carter
Berlin, December 1948: With German cities in ruins after World War II and the country’s male population decimated, it fell to the women to clean up the rubble. The so-called “trummerfrauen,” or “rubble women,” worked with their bare hands and whatever tools they could find. (more photos in the gallery)
![chagalov:
James Joyce with Augustus John, London, 1925-1930 [at the time of John portrait] -nd
from beinecke](http://24.media.tumblr.com/tumblr_lmijcwGGRC1qcl8ymo1_500.jpg)
James Joyce with Augustus John, London, 1925-1930 [at the time of John portrait] -nd
from beinecke
(via chinneths)
Franziska (Countess zu) Reventlow (real name Fanny Liane Wilhelmine Sophie Auguste Adrienne Gräfin zu Reventlow, 18 May 1871 – 26 July 1918) was a German writer, artist and translator, who became famous as the “Bohemian Countess” of Schwabing (an entertainment district in Munich) in the years leading up to World War I.
Reventlow is best known as one of the most unorthodox voices of the early women’s movement in Europe. While many of her peers were pressing for improved social, political, and economic rights for women, Reventlow argued that ardent feminists, whom she labelled “viragoes,” were actually harming women by attempting to erase or deny the natural differences between men and women. Reventlow maintained that sexual freedom, and the abolition of the institution of marriage, were the best means by which women could hope to achieve a more equal social standing with men.
